Church on the Heights, Brooklyn

Part of the Dutch Reformed Church, this building was located on the northwest corner of Pierrepont Street and Monroe Place. Salviati made a mosaic portrait of minister and hymn-writer George W. Bethune to be affixed to a Carrara marble memorial tablet to be installed in the church, which Bethune had been associated with.

The church was dedicated in 1851 and it was demolished sometime after 1922. Today, the location is home to the Appellate Division of the Supreme Court of the State of New York and its adjacent parking lot.

Although Salviati's records from 1865 indicate the memorial was for a church in New York, Bethune's biography from 1867 lists the Third Reformed Dutch Church in Philadelphia as containing the mosaic tablet.

This church - located on the northeast corner of Tenth and Filbert Streets - was designed by Thomas Ustick Walter and built 1836-40.

In either case, the portrait now hangs in the New Brunswick Theological Seminary's Gardner A. Sage library.

 

Sources:
Salviati, Antonio. On Mosaics (generally). 1865. 50-51.
Mast, Gregg. In Remembrance and Hope: The Ministry and Vision of Howard G. Hageman. Grand Rapids: William B. Eerdmans Publishing, 1998. 4.
Van Nest, Rev. A.R. Memoir of Rev. Geo. W. Bethune. New York: Sheldon and Company, 1867. 421.
New York Historical Society Museum & Library
Google Maps
Philadelphia Architects and Buildings

St. Jude's Church, Whitechapel

Reverend Samuel Augustus Barnett and his wife Henrietta specifically asked London's Bishop to take over the empty and neglected St. Jude's Church (build in 1848) in the city's run-down and crime-ridden Whitechapel neighborhood in 1873. Whitechapel became infamous in 1888 when it served as the location of Jack the Ripper's murderous rampage.

The Barnetts were instrumental in their efforts of cleaning up Whitechapel and in 1885, three years after they began their annual art exhibits, they received from their friends a mosaic copy of G.F. Watts' 1866 "Time, Death, and Judgment". The cartoon for the mosaic was by Cecil Schott and it was executed by Salviati.

Schott's 1884 cartoon

Finished mosaic

Watts himself was critical of the potential result because he could not supervise the work's execution. However, it received praises from the International Correspondence Schools, which wrote that "the mosaic has very faithfully reproduced the picture itself . . .." Matthew Arnold revealed the gift to the Barnetts in Toynbee Hall and the mosaic was later placed on the western exterior wall of the church above a fountain.

In 1923, St. Jude's parish was merged with St. Mary's Matfelon. Like many other buildings in the area, both were destroyed in the blitz of World War II.  The adjacent Toynbee Hall (1884) and the nearby Whitechapel Gallery (1901), both also founded by the Barnetts, still exist.

Although he wasn't considered a suspect at the time, Reverend Barnett's name has come up in more recent speculation regarding the identity of Jack the Ripper. However, given the church's location, the infamous murderer - whoever he may have been - more than likely strolled by the mosaic and perhaps even stopped to ponder the meaning of "Time, Death, and Judgment."

Update: The mosaic can now be found in St. Giles-in-the Fields church in London's west end, where it hangs in the staircase of the south lobby.

Sources:
Arnold, Matthew. Essays, Letters and Reviews. Cambridge: Harvard University Press, 1960.  255.
Barnett, Henrietta. Canon Barnett, warden of the first university settlement, Toynbee Hall. 74.
Barnett, Henrietta. Canon Barnett: his life, work and friends. 170.
AIM25
National Gallery of Canada. For the collection of European and American art. 2010. 3.
The Critic. London: Good Literature Publishing Co. 4. 1885. 310.
International Library of Technology. Tile and parquetry designing. Scranton: International Textbook Company, 1916. 21.
Casebook 
St. Giles Online
Andrew Liu for St. Giles Online