Showing posts with label Addition. Show all posts
Showing posts with label Addition. Show all posts

Tuesday, January 22, 2013

St. Peter's Church Notting Hill

Wedged between terraces of large, white Victorian townhouses on Kensington Park Road, this classical style church designed by architect Thomas Allom was built 1855-57.


The apsidal chancel was added in 1879 by James Edmeston and his son James Stanning Edmeston. James Edmeston's father (also James) was also an architect and taught G.G. Scott as an apprentice between 1826-31.


The apse contains a mosaic from 1880 by Salviati and Burke of Da Vinci's Last Supper with a modification to the background by Charles Barry, Jr.



Sources:
Wikipedia
bricoleurbanism's flickr Photostream
L.J. Du Kane Skolia Concert Venues
Findo's flickr Photostream
John Salmon on Geograph
Dictionary of Scottish Architects

Friday, January 4, 2013

Parish Church of St. Peter Leeds

On February 21, 1865 - six years after starting his first mosaic workshop in Murano - Dr. Salviati gave a heartfelt lecture in front of the Leeds Philosophical and Literary Society about both the history of the craft of mosaic making, as well as about the benefits of the revolutionary new process that Lorenzo Radi developed for the Salviati-made pieces. Within just a few years, the local parish church would also be fitted with these mosaics.

Also known as Leeds Minster, this English Gothic style church was rebuilt in 1839-41 by architect R.D. Chantrell.


The east-end sanctuary (seen to the left of the central tower), which contains an arcade of Salviati mosaics possibly from 1876 depicting the twelve apostles, was renovated between 1870 and 1880 by G.E. Street. This seems to be a similar type of chancel expansion that was done in 1870 in the Gonville and Caius Chapel at Cambridge.

The altar, above which hangs a painting of The Last Supper, circa 1838.


The eastern expansion, after Street's 1870s renovations.


From the Left: Peter, Andrew, James, John and Phillip 

 
James and Paul behind the High Altar (Left)


Barnabas and Thomas behind the High Altar (Right) 


From the Right: Bartholomew, Matthew, Simon, Matthew (Thaddeus?) and Judas


While Salviati's mosaics were always made of glass enamel tesserae, the central reredos of Christ in Glory surrounded by angels was made of colored marble and alabaster. It was designed by G.E. Street and executed by Thomas Earp and Rust in 1888 following cartoons by Clayton and Bell.


Sources:
Salviati, Antonio. " On Mosaics (Generally) and the Superior Advantages, Adaptability and General Use in the Past and Present Age, in Architectural and Other Decorations, or Enamel Mosaics: Being a Paper Read Before the Leeds Philosophical and Literary Society", on February 21st, 1865. London: Wertheimer and Co., 1865.
Wikipedia
British Listed Buildings
grahamway's flickr Photostream
Budby's flickr Photostream
GENUKI Leeds Parish Church History 
Leeds Parish Church 
Barr, Sheldon. Venetian Glass Mosaics: 1860-1917. London: Antique Collectors' Club, 2008. 125.
Wrathmell, Susan. Pevsner Architectural Guides: Leeds. New Haven: Yale University Press, 2005. 45.

Wednesday, December 19, 2012

Gonville and Caius Chapel Cambridge

This 14th century chapel's gallery was extended in 1870 by Alfred Waterhouse in a Byzantine style that is unique to the structure.


Five mosaics by Salviati that are located behind the altar in the new east apse depict incidents from the Bible involving teaching.



The prophet Samuel being tutored by Eli.


The finding of the scroll of the Law in the Temple by Josiah.


The boy Jesus disputing with the scribes in the Temple. 


Jesus teaching Martha about eternal life near the tomb of Lazarus.




Christ in glory surrounded by his disciples can be found on the chapel ceiling.



Sources: