Showing posts with label Ceiling. Show all posts
Showing posts with label Ceiling. Show all posts

Wednesday, November 6, 2013

Royal Grand Palace, Bangkok

This part of the Wat Phra Kaew - or Emerald Buddha complex - once served as the former residence of the King of Siam and once consisted of 11 buildings; however, today only three of the original ones remain. The central building, or Chakri Maha Prasat, was built by then King of Siam, Rama V between 1876 to 1882 using British architects John Clunich and Henry C. Rose. The style of the building is a fusion of Italian Renaissance and traditional Thai architecture.



Salviati decorated the arched ceilings - originally planned as domes, but later substituted by Thai spires - of the central throne hall with 17,000 square feet of golden mosaics with depictions including various Siamese orders.


Throne Hall

Various sources also attribute mosaic work both on the outside of the spires, as well as on the building's gables to Salviati.


Sources:
Barr, Sheldon. Venetian Glass Mosaics: 1860-1916.  London: Antique Collectors' Club, 2008. 139.
Bangkok Magazine
Ehlers, Otto E. On Horseback through Indochina: Vietnam, Singapore, and Central Thailand. Thailand: White Lotus Press, 2002. 155.
Wikipedia
Bangkok Magazine
tjetjep rustandi's flickr Photostream
Colin Utz Photography

Monday, October 14, 2013

Bonn Minster

Also known as St. Martin's Cathedral, this is one of Germany's oldest churches, dating back to before the 13th century.


Salviati made a total of 800 square feet of mosaics for the portal and apse of the cathedral in 1894, modeled after cartoons by Professor Martin and Friz Geiges.


Mosaic tympanum of the Annunciation above the entry portal



Detail of the apse mosaic featuring Christ Enthroned, which is based on a depiction in Hagia Sophia and also reminiscent of the one in St. Mark's Basilica. The latter also served as the model for the portrait in St. Augustine's College, Canterbury.

Sources:
Barr, Sheldon. Venetian Glass Mosaics: 1860-1917. London: Antique Collectors' Club, 2008. 127.
Wikipedia
Sacred Destinations: Bonn Munster
Hans Weingartz on Wikimedia Commons
Erke's flickr Photostream
jaime.silva's flickr Photostream
Brian J. McMorrow on pBase

Tuesday, September 10, 2013

Kaiser Friedrich III Mausoleum

The structure holding the final resting place of the German emperor was added to the north side of the Protestant Church of Peace (Friedenskirche) located in Potsdam's Sanssouci Park between 1888 and 1890. The architect was Julius Raschdorff, who also designed the Berlin Dom (Cathedral) and Reichsburg Castle, the latter which also had Salviati mosaic decorations.


The cupola of the High Italian Renaissance style mausoleum can be seen to the right of the church itself.



Friedrich's sarcophagus is located in the middle of the rotunda, alongside that of his wife Empress Victoria. As the eldest daughter of Queen Victoria, she was the former Princess Royal of Great Britain and Ireland. The tombs of two of their young sons are also interred here.


Salviati adorned the tomb with mosaics, including those on the wall showing "VRI" for Victoria Regina Imperatrix, which are now missing. As seen from the recent picture above, compared to the interior in 1931 the entire lower level has been refaced in black marble. The interior of the dome is still said to contain the mosaics of alternating angels and palm trees; however, entrance to the mausoleum is restricted and no photographs have been found.

Sources:
Barr, Sheldon. Venetian Glass Mosaics: 1860-1917. London: Antique Collectors' Club, 2008. 127.
Europeana
Wikipedia
Wikimedia Commons
Friedenskirche
Stefan Hintz's flickr Photostream

Thursday, August 29, 2013

Ethnological Museum, Berlin

Located next to the Museum of Decorative Arts (also known as the Gropius Bau) at Koniggratzer Strasse 120 (now Stresemann Strasse), this museum was built in 1880-86 by architect Hermann Ende.


Otto Lessing designed cartoons of the (then) seven planets and the solar system, seasons, arts and industry, as well as phases of life which Salviati applied in mosaic to the ceiling of the circular entrance hall.




As with many of Berlin's buildings, this museum was also damaged in World War II. It served as the Museum of Pre- and Early History until 1961, when it was eventually razed.


In 1954


In 1961

The southeastern corner of Stresemann Strasse and Niederkirchner Strasse now contains a parking lot.


Sources:
Barr, Sheldon. Venetian Glass Mosaics: 1860-1917. London: Antique Collectors' Club, 2008. 136.
Grieben-Verlag. Berlin, Potsdam und Umgebungen: Praktischer Wegweiser. 118.
Westermann, George et. al. Westermanns Monatschefte. 62. G. Westermann, 1887. 375.
Academic
Staadliche Museen zu Berlin
Wolfsraum's flickriver
Architekten-Verein zu Berlin. Berlin und Seine Bauten: Der Hochbau. Berlin: W. Ernst, 1896. 228-229.
Potsdamer Platz 
Google Maps
eBay

Wednesday, June 26, 2013

Cercle de Aix-Les-Bains

Parisian architect Abel Boudier designed the Grand Casino for Victor Emmanuel II and it opened in 1850. It was substantially expanded over the years and it was even used as a hospital during World War I.

 


Salviati decorated the vaulted ceiling of the dome of the South Hall with 300 sq meters of mosaics in 1882-83 after cartoons by Charles Lameire.


Amongst the designs are the twelve symbols of the zodiac, the four seasons, two angels, flora and other stylized motifs.




In 1936, architect Charles Siclis whitewashed much of the interior decoration; however, after a fire in 1963 and further remodeling in the 1980's, the casino has been restored to its former glory.

Sources:
Barr, Sheldon. Venetian Glass Mosaics: 1860-1917. London: Antique Collectors' Club, 2008. 129.
Lemoine, Bertrand and Alexandra Bonfante Warren. Architecture in France 1800-1900. New York: Harry N. Abrams, 1998. 99.
Wikipedia
Jazz Age Club
Timberdine
Bibliotheque Municipale de Lyon
Maxted Travels
Hotel Metropole
Patrimoine Aix-les-bains
Aix les Bains
Visitesclemence's flickr Photostream

Friday, June 7, 2013

Basilica of St. Eufemia, Milan

Founded in the 5th century, the church has been rebuilt many times since then, including in 1870 by Enrico Terzaghi. Although the exterior is neo-Romanesque, the interior style is more neo-Gothic.


Salviati mosaics decorate the ceiling and the Grand Portal.






Sources:
Barr, Sheldon. Venetian Glass Mosaics: 1860-1917. London: Antique Collectors' Club, 2008. 134.
Wikipedia IT
Patrizia Rossito on Panoramio
Tripadvisor
Guttae Blogspot
Enrico Sammartini's flickr Photostream

Tuesday, May 7, 2013

Herlitzka Tomb, Recoleta Cemetery

Engineer Mauro Herlitzka was born in Trieste in 1871, but moved to Argentina at age 26. He rose to prominence first in the electrical industry, then telecommunications. His neo-Byzantine family vault built in 1920 is located in Buenos Aires' Recoleta Cemetery, plot 442.


Salviati mosaics decorate both the interior and exterior of this sepulchral monument.



Sources:
AfterLife
Barr, Sheldon. Venetian Glass Mosaics: 1860-1917. London: Antique Collectors' Club, 2008. 139.
Find a Grave
Buenos Aires Walking Tours

Monday, April 8, 2013

Poznanski Mausoleum, Lodz

Izrael Poznanski, a local textile magnate, donated 10.5 hectares of his own land to the city of Lodz in order to build a new Jewish cemetery in 1891 after the original "Old Cemetery" of 1811 proved to be too small. Since then, it has become the biggest Jewish cemetery in Europe.


Poznanski died in 1900 and along with his wife Eleanora, is entombed in this grand, open-air mausoleum resembling a Greek temple that was designed by architect Adolf Seligsohn of the Berlin firm Cremer and Wolffenstein. It was built 1903-05.


The oriental-style mosaics found in the dome were restored in 1993.

Sources:
Wikipedia
Wikipedia DA
A Virtual Tour of Jewish Lodz 
Magic Madzik's flickr Photostream
ZzZachary's flicrk Photostream
Jewish Community of Lodz
Centrum Dialogu
Bedoire, Frederic. The Jewish Contribution to Modern Architecture: 1830-1930. Jersey City: KTAV Publishing, Inc., 2004. 404, 412.

Wednesday, April 3, 2013

St. Paul's Within the Walls, Rome

Also known as the American Church in Rome, this Episcopal church was built 1872-76 by G.E. Street. The facade (pictured before recent renovations) contains several mosaics designed by George Breck.


However, it was for the interior that Salviati's Compagnia di Venezia-Murano made several mosaics based on the designs of Pre-Raphaelite painter Edward Burne-Jones. The first arch before the apse contains a sparse, desert scene of the Annunciation.


The second arch - located above the choir - is the Tree of Forgiveness (or Life), which was painted in 1892 and transferred to mosaics a year later.


The rear wall depicts Christ in Glory with a crowd of angels looking down from the dome, while five groups of historically important individuals related to Christendom look upwards. Preparations on this section of the mosaic was started in July 1881.



The work was managed by a Signor Castellani who represented the mosaic manufacturer.

Sources:
St. Paul's Within the Walls  History and Art & Architecture
Bell, Malcolm. Sir Edward Burne-Jones.  London: George Bell and Sons, 1901. 41-42.
The British Architect. Vol 50. London: July 28, 1898. 87.
Wildretina
Dreams on Paper
Barr, Sheldon. Venetian Glass Mosaics: 1860-1917. London: Antique Collectors' Club, 2008.
Mathias, Anita. Dreaming Beneath the Spires. On-line Blog: November 25, 2012.
Burne-Jones, Lady Georgiana and Edward. Memorials of Edward Burne-Jones. London: MacMillan, 1906. 114.

Tuesday, March 26, 2013

Albert Memorial Chapel, Windsor Castle

Among Antonio Salviati's first English commissions was an 1862 request from Queen Victoria for the decoration of the Wolsey Chapel in the east passage of St. George's Chapel at Windsor Castle, which was turned into the Albert Memorial Chapel soon after the December 1861 death of her beloved husband.



In addition to the tomb of Victoria's grandson Albert, Duke of Clarence (d. 1892), the chapel also contains the remains of her youngest son, Prince Leopold (d. 1884).

View of the eastern-end windows.


The 28 panels of the west wall's blank window are decorated with mosaics of full-length figures of historic individuals who have some type of connection to Windsor Castle including British Kings, Queens and Prelates. This section of mosaic was ordered separately in 1864.


The extensive ceiling mosaics that cover about 2,100 square feet, as well as the soffits of the side windows feature 92 angels, heraldry and floral motifs. The general designs were by G.G. Scott and the cartoons were created by J.R. Clayton. The ceiling mosaics were completed first, and the pre-fabrication (in Venice), transportation to London and installation took a total of ten months.

Sources:
London Connection
Barr, Sheldon. Venetian Glass Mosaics: 1860-1917. London: Antique Collectors' Club, 2008. 18.
College of St. George Chapel Archives
Le Monde1's flickr Photostream
Aaron K Hall's flickr Photostream
Striderv's flickr Photostream
Mary Scots' flickr Photostream
Papers Read at the Royal Institute of British Architects. Session 1868-69. London: Rooms of the Institute. 1869. 44.

Tuesday, March 12, 2013

Church of the Holy Cross Palermo

Designed by William Barber and built 1872-75, this Anglican church has served the Protestant locals, as well as visitors to the Sicilian capital ever since.


The ceiling features the four Evangelists with Christ in the center, as well as four angels above the four doctors of the Western Church: Saints Ambrose, Jerome, Augustine and Gregory.


The apse decorations were all designed by Francis Cranmer Penrose and the mosaics were manufactured by Salviati.


The twelve trefoil niches contain the Apostles (St. Paul having replaced St. Simon), surrounding a resurrected Christ and five angels.


Sources:
Holy Cross Palermo
Barr, Sheldon. Venetian Glass Mosaics: 1860-1917. London: Antique Collectors' Club, 2008. 127.

Thursday, January 31, 2013

Palatine Chapel of Aachen Cathedral

Charlemagne's imperial cathedral dates to the late 8th and early 9th centuries and is one of the oldest churches in Germany.


The Palatine Chapel is the heart of the building and it contains Charlemagne's reliquaries. Its design was based on the Byzantine church of San Vitale in Ravenna, Italy and it has a distinct octagonal shape.


In 1870-73, Salviati adorned the dome of the chapel with golden mosaics of Christ surrounded by 24 Ancients of the Apocalypse, as designed by Belgian Jean-Baptiste de Béthune. It replaced the original mosaic of Christ Enthroned, which by the nineteenth century had been destroyed.




Sources:
Sacred Destinations
UNESCO Aachen Cathedral