Also known as the American Church in Rome, this Episcopal church was built 1872-76 by G.E. Street. The facade (pictured before recent renovations) contains several mosaics designed by George Breck.
However, it was for the interior that Salviati's Compagnia di Venezia-Murano made several mosaics based on the designs of Pre-Raphaelite painter Edward Burne-Jones. The first arch before the apse contains a sparse, desert scene of the Annunciation.
The second arch - located above the choir - is the Tree of Forgiveness (or Life), which was painted in 1892 and transferred to mosaics a year later.
The rear wall depicts Christ in Glory with a crowd of angels looking down from the dome, while five groups of historically important individuals related to Christendom look upwards. Preparations on this section of the mosaic was started in July 1881.
The work was managed by a Signor Castellani who represented the mosaic manufacturer.
Sources:
St. Paul's Within the Walls History and Art & Architecture
Bell, Malcolm. Sir Edward Burne-Jones. London: George Bell and Sons, 1901. 41-42.
The British Architect. Vol 50. London: July 28, 1898. 87.
Wildretina
Dreams on Paper
Barr, Sheldon. Venetian Glass Mosaics: 1860-1917. London: Antique Collectors' Club, 2008.
Mathias, Anita. Dreaming Beneath the Spires. On-line Blog: November 25, 2012.
Burne-Jones, Lady Georgiana and Edward. Memorials of Edward Burne-Jones. London: MacMillan, 1906. 114.
Showing posts with label Annunciation. Show all posts
Showing posts with label Annunciation. Show all posts
Wednesday, April 3, 2013
St. Paul's Within the Walls, Rome
Thursday, March 14, 2013
Church of the Immaculate Conception, Farm Street
Architect Joseph John Scoles designed this Roman Catholic Church that was built 1844-49 and which is run by the Society of Jesus (Jesuits).
Henry Clutton designed the church's outer aisles and several chapels including the Chapel of the Blessed Sacrament (also called the Sacred Heart Chapel) in 1860, which may be why his name is associated with Salviati's Venetian mosaics from around the same time that are located above A.W.N. Pugin's high altar.
Presented in 1875, the two mosaic panels depict the Annunciation and the Coronation of the Virgin, respectively.
Sources:
Wikipedia
Barr, Sheldon. Venetian Glass Mosaics: 1860-1917. London: Antique Collectors' Club, 2008. 125.
Wheatley, Henry Benjamin and Peter Cunningham. London: Past and Present. Vol II. London: John Murray, 1891. 31.
Fr. Lawrence Lew, OP's flirck Photostream
Evinson, Denis. Catholic Churches in London. Wiltshire: The Cromwell Press, 1998. 44.
Hibbert, Christopher, et. al. The London Encyclopaedia. 3rd ed. London: Macmillan, 2008. 170.
Brian Harrington Spier's flickr Photostream
Rex Harris' flickr Photostream
Henry Clutton designed the church's outer aisles and several chapels including the Chapel of the Blessed Sacrament (also called the Sacred Heart Chapel) in 1860, which may be why his name is associated with Salviati's Venetian mosaics from around the same time that are located above A.W.N. Pugin's high altar.
Presented in 1875, the two mosaic panels depict the Annunciation and the Coronation of the Virgin, respectively.
Sources:
Wikipedia
Barr, Sheldon. Venetian Glass Mosaics: 1860-1917. London: Antique Collectors' Club, 2008. 125.
Wheatley, Henry Benjamin and Peter Cunningham. London: Past and Present. Vol II. London: John Murray, 1891. 31.
Fr. Lawrence Lew, OP's flirck Photostream
Evinson, Denis. Catholic Churches in London. Wiltshire: The Cromwell Press, 1998. 44.
Hibbert, Christopher, et. al. The London Encyclopaedia. 3rd ed. London: Macmillan, 2008. 170.
Brian Harrington Spier's flickr Photostream
Rex Harris' flickr Photostream
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